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Philipp Otto Runge German Romantic Painter, 1777-1810
..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,
Philipp Otto Runge Hyacinth,Cornflower,Tulip mk141
undated
cut-outs,white paper on a blue background
Painting ID:: 40650
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Philipp Otto Runge Morning mk156
1808-09
Oil on canvas
109x85.5cm
Painting ID:: 43984
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Philipp Otto Runge The Small Morning 1809-10
Oil on canvas,
109 x 86 cm
Painting ID:: 44000
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Philipp Otto Runge The Lesson of the Nightingale 1804-05
Oil on canvas,
105 x 86 cm
Painting ID:: 52520
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Philipp Otto Runge The Great Morning 1809-10 Oil on canvas, 152 x 113 cm
Painting ID:: 56178
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Philipp Otto Runge the hulsenbeck children mk247
c.1806,oil on canvas,51.75x56.375 in,131.5x143.5 cm,hamburger kunsthalle,hamburg,germany
Painting ID:: 62449
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Philipp Otto Runge Times of 712 x 475 mm Staatliches Kupferstichkabinett, Dresden Author: RUNGE, Philipp Otto Title: Times of Day: Day Form: graphics , 1801-1850 , German , study
Painting ID:: 62450
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Philipp Otto Runge Times of Day: Evening 712 x 475 mm Staatliches Kupferstichkabinett, Dresden Author: RUNGE, Philipp Otto Title: Times of Day: Evening Form: graphics , 1801-1850 , German , study
Painting ID:: 62453
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Philipp Otto Runge Colour Spheres 1809 Copper engraving with watercolour, 225 x 189 mm Kunsthalle, Hamburg Runge was in close contact with Goethe over questions of colour theory. In his correspondence Newton's name crops up , the person present in the spirit of the whole age, an age as Enlightened as it was searching. In his painting Runge sought to derive the visible "images" or "symbols" for the "all-unifying" principle not only from form but from colour too. Author: RUNGE, Philipp Otto Title: Colour Spheres Form: graphics , 1801-1850 , German , other
Painting ID:: 71891
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Philipp Otto Runge Ruhe auf der Flucht 1805-1806
Oil on canvas
98 x 132 cm
Painting ID:: 73174
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Philipp Otto Runge Ruhe auf der Flucht Date 1805-1806
Medium Oil on canvas
Dimensions Deutsch: 98 X 132 cm
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Painting ID:: 73589
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Philipp Otto Runge Gruppenportrat von Philipp Otto Runge mit Selbstdarstellung des Kunstlers (rechts) zusammen mit seiner Frau Pauline und seinem Bruder Johann Daniel Ru Gruppenporträt von Philipp Otto Runge mit Selbstdarstellung des KXnstlers (rechts) zusammen mit seiner Frau Pauline und seinem Bruder Johann Daniel Runge (links).
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Painting ID:: 75305
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Philipp Otto Runge seiner Frau Deutsch: Gruppenporträt von Philipp Otto Runge mit Selbstdarstellung des Kenstlers (rechts) zusammen mit seiner Frau Pauline und seinem Bruder Johann Daniel Runge (links).
Date 1805
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Painting ID:: 77965
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Philipp Otto Runge Portrait of Otto Sigismund, the artists son 1805(1805)
Oil on canvas
40 x 35.5 cm (15.7 x 14 in)
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Painting ID:: 80118
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Philipp Otto Runge The Morning 1808
Oil on canvas
106 x 81 cm
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Painting ID:: 84040
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Philipp Otto Runge Morning 1808
Medium Oil on canvas
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Painting ID:: 91698
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Philipp Otto Runge Selbstportrat 1802-1803
Medium oil on canvas
Dimensions 37 X 37 cm (14.6 X 14.6 in)
cjr
Painting ID:: 96332
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Philipp Otto Runge Portrait of Friedrich August von Klinkowstrom 1808(1808)
Medium oil on canvas
Dimensions 64 X 48 cm
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German Romantic Painter, 1777-1810
..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,